Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Johann Heinrich Fuseli
The Awakening of the Fairy Queen Titania

ID: 80377

Johann Heinrich Fuseli The Awakening of the Fairy Queen Titania
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Johann Heinrich Fuseli The Awakening of the Fairy Queen Titania


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Johann Heinrich Fuseli

1741-1825 Romanticism Swiss   Related Paintings of Johann Heinrich Fuseli :. | The Awakening of the Fairy Queen Titania | Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer | Lady Macbeth with the Daggers | Fairy Mab | Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti |
Related Artists:
Bingham, George Caleb
American Realist Painter, 1811-1879. American painter. Raised in rural Franklin County, MO, Bingham experienced from an early age the scenes on the major western rivers, the Missouri and the Mississippi, that inspired his development as a major genre painter. During his apprenticeship to a cabinetmaker, he met the itinerant portrait painter Chester Harding, who turned Bingham's attention to art. Teaching himself to draw and compose from art instruction books and engravings, the only resources available in the frontier territories, Bingham began painting portraits as early as 1834.
George H Story
1835-1923
Bela Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.






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